Obviously I have worked a lot as a studio exec and I ran a studio and a network. At the same time, my father is, and my grandfather was, a member of the WGA, and a lot of my friends are too, so I hope I can try to see both sides of the WGA strike dispute.
Just a question. If I may. How has a business that arguably would not exist without writers gotten itself into such a position?
Very insightful! thank you.